2018-12-31 10:00 fiction reel

ReeL Machines

Millr lowered the heavy, slatted wooden partitions over the two exposed sides of his kiosk, then secured them with several thick, weighty iron locks. He was lucky to have gotten this kiosk at the end of the block—a triangular space where the two major foot paths merged. He'd won the space in the lottery, and he'd won the lottery by a very generous payment to the man running the lottery. Business was good.

He took a couple of small bags of trash and placed them in the cart attached to his bicycle. Everything would be reused, recycled or composted. He said goodnight to his neighbor who responded without turning around, thrusting a waving hand up into the air.

There were plenty of shops that stayed open at night. The market lit up with paper cages full of fireflies and strings of recycled diodes that lacked any consistent hue. Big, graphic banners offered food and drink, or semi-legal repair jobs, or black market recombinations.

You will not create more machines. The third Shrub law.

Recombiners brazenly ignored the thousands of pages of guidelines by the provisional government about how to follow the law. Their argument, when they were occasionally arrested, was that nothing new was invented, nothing new came into existence, they were merely swapping, repurposing, reconditioning. And yet there wasn't much they couldn't make if the parts were available.

The slabs that ReeLs were put on were different—complex micro-circuitry built by a multi-national before Surrender and designed with every intention of thwarting reverse engineering. But it was only a matter of time, Millr thought, before the Recombiners make something that works out of old broken toasters and antique handsets. It won't be pretty but he bet somebody would get it done. Then what would he do? He made a nice income this way, everybody came to him, maybe he'd have to start over, maybe he'd have to negotiate with the Recombiners and that little shit Willm. That kid was viciously smart, and maybe nuts, but that could just be age talking. He didn't know what would happen, but he knew he had to expect change. Twenty years ago he thought he had it all planned out, then the Shrubs happened.

Millr pulled his bike, hauling the trash, up to the market bins. This was part of the agreement of market business, you gave them your trash and they got everything out of it they could. Trash was gold. There was always someone watching over the bins, the people in charge doled this job out as a coveted reward to the low level denizens of the system. It was an easy job and you could get first pick.

Today Blly was the guy watching over the bins. Blly had no front teeth and consequently tended to spit on you if you were standing closely, particularly if he was worked up by any number of constant inequities.

"Millr," Blly said.

"Blly," Millr said.

"That new ReeL, Millr," Blly said.

"Yes, Blly," said Millr.

"Anymore like that?" Blly asked.

"Oh, I don't know, I get what I can. You like it?" Millr said.

"Yeah. I like it. A lot. You seen it?" Blly asked.

"A couple minutes. Pretty busy, can't see them all," Millr said.

"A lot. I liked it a lot. You should see it," Blly said.

"OK Blly, I will."

Millr emptied the cart with Blly's help.

As he rode home he thought about this brief exchange. Blly wasn't, how you'd say, a connoisseur. He preferred guffawing at Heckle, those short ReeLs with dumb, repetitive jokes or footage of people doing painfully stupid things. Often Heckle was simply a rearrangement of stuff already in other Heckles. They were very popular. Millr was surprised Blly had this latest ReeL, he was even more surprised Blly liked it enough to say something. Millr told himself he would watch the entire thing when he got home.

As he neared the outer edge of the market he had to navigate through clusters of incoming crowds. Night people coming in, day people going out. He walked his bicycle and tried to keep the pedals from snagging on other bicycles or peoples' bags. Yeah, business was good, plenty of people came to the market. When he was a child there used to be shopping malls and his memory of them was of strange, vast sterility, places that were abandoned financially but had yet to become actually decrepit. You could wander in the large, climate controlled halls and hear the echo of your own footsteps, maybe punctuated by an electronic ping from a lonely, nearby machine. These places would've disappeared one way or another, Shrubs or no Shrubs, he thought.

Once the market faded behind him he could get some more speed on the bike, feel the wind in what was left of his hair. There were copious properties on either side of him, empty, vines and trees having taken over the land and the buildings so that they looked like noble, ancient creatures, moving slower than could be perceived, towards spawning grounds somewhere far up the street.

The buildings thinned out and there were fields. Probably houses were once here, he thought, but now the land was used to grow food. He passed a few then turned off onto his road.

At the front of his own house was ample evidence of at least three unfinished projects. He saw Taryn in the back, moving compost. Trash was gold.

He went into the house and put his bag down. He'd traded for a decent bottle of wine and he opened it. He had work to do, to prepare things for market tomorrow, but he was eager to see the ReeL, the newest one he'd gotten from Willm that Blly liked. He took the bottle of wine to the basement. In the back, next to his work bench, he stooped down and removed a section of the uneven flooring. Inside were dozens of ReeLs, leaning together neatly. He extracted one at nearest edge. Yup, that was it. He always copied the latest ReeLs that came through, for himself. Copying was relatively straightforward. You placed the source at the bottom, then an identically sized, proprietary copier slab on top of it, which was black, not gray. Then the destination slab was put on top of that. Press the appropriate corners and the top slab will match the bottom one—whatever ReeL that was on top will be replaced, gone. Copier slabs were uncommon. He had two. One he kept locked in the kiosk, the other here. He constantly worried about losing them or them breaking.

Of course the harder part was producing the ReeLs in the first place. You needed special, old, pre-Surrender equipment for that. It was still a mystery to him who did actual production. He knew there were three, maybe four, crews that produced the black market ReeLs. The ReeLs created by the government weren't worth consideration, they were consistently terrible, laughably awful.

He placed the ReeL on the table, turned it on and sat back. He'd seen the first minute or two when Willm gave it to him. His initial impression was negative because the lighting was so dark, he preferred ReeLs that were big and bright. But as he watched, there was something about this one, a closeness, a richness. It quickly drew him in. Perhaps it was relative contrast but the few colors here were intense. He suspected immediately that they had shot this with a different rig. A couple minutes after this, he was positive. His pulse quickened. Where had they gotten it? Was it one of the old indie rigs or had they actually figured out how to make their own? Visually it was more impressive than anything he'd seen in forever. And nobody else would've seen anything like this in decades. He remembered the early ReeLs, the ones that were art, the great ones, but that kid Willm wouldn't know about anything like those, they were all gone, almost all gone. Only the most insipid, crowd pleasing junk had survived on the dwindling set of hardware, an unfortunate devolution.

The atmosphere here is dense, I can taste it, I can feel the texture of it. And where was it set? It looked like they were in a Shrub field. A power field. The rocking motion of the tall, huge solar leaves created an oscillating effect, giving it a disquieting impression of being underwater. Things swooshed, back and forth. The sound, he realized, was loud, but in the background almost pure droning.

We followed a girl through the field, at dusk. Was she running from someone? There was an urgency in her movement, she weaved and dodged. She came up out of the field onto a hill. The ascent had a revelatory feeling. In the distance he could see a Shrub citadel—the green, jagged, amorphous mound likely a hundred feet high at its peak, as if a giant gardener had dumped a huge pile of sticks and leaves on the horizon. Parts of it glistened with wetness. Other parts seemed to move slowly, a time-lapse of creeping vines, the slow motion of an opening flower which you're internally aware of but hesitant to declare as motion. It changed, it shifted.

The girl stood there. We were standing to one side of her, but slightly behind. So far we haven't seen her face. The human dwellings around the citadel stretch almost to the hill. The girl raises her arms, holding them to the sky, which has become darkly clouded. In the distance we can see something on the Shrub citadel. A spark. Then fire. The citadel begins to burn.

When the ReeL ended Millr realized he was covered in sweat. He heard Taryn's voice at the top of the stairs.

"You down there? Awful quiet," she said.

"Yeah," Millr said.

"You OK?" she asked.

"Yeah," Millr said.

"Ah. OK. Really?" she asked.

"I think you should see this," Millr said.

2018-12-26 14:43 fiction flash-fiction


Directly above the metal edge he saw a single moist, dark eyeball, set in a broad, furry cranium. The truck pulled away rapidly, acceleration caused the eye to reflexively widen.

He didn't know where they took the beasties. They were harmless really — massive, shaggy, passive creatures. Except that they started appearing in huge numbers. Certain areas of the city were brought to a complete halt. Major roadways closed down. They would stand there, thousands of them, calmly, still, stubbornly resistant to any common coercion. Scientists said they were a new species, but they didn't understand why or how the beasties had gone unnoticed until now, or why they were suddenly drawn to major population centers, highways, office parks, shopping centers. Anywhere, it was said, they were most unwanted and most in the way.

Collectively they emitted a sound in a subtle frequency that had peculiar effects on some individuals. A tranquilizing reaction. Almost everyone could agree that the purr of the herds was pleasant, like that serene fugue you might slip into as a child, while you absentmindedly hum along in the same tone as a mundane appliance like a vacuum cleaner. An audio simpatico maybe, a lazy resonance.

He watched the truck pull away. Where would they be brought? The public distaste for violence against the beasties was clear. So often municipalities would, at night, laboriously ship them out. They didn't resist. He wondered, would they be loaded onto ships and sent to a distant, barren island? There were too many of them now for this, there were more and more every month. He was drawn to them.

He decided instantly, impulsively, to find out where they were going. Several more trucks were lined up for departure. He ran to the back of the line and the back of the last truck. He pulled himself up the gate and then squeezed in over the lip. He could tell they were close, all around him. They were warm and the fur smelled like wet grass. He pressed himself against the side of the truck and the shoulder of a one of them. He couldn't move or twist upwards to see the face above him but he soon felt a wide, rough tongue gently licking the top of his head. With a jolt the truck drove forward.

2018-12-25 10:00 fiction reel

ReeL Blank

Willm darted around the corner, the crunching sound of dry scrub and gravel from this his shoes dampened by the building's white-washed wall. He built up some speed and made a running jump at the tall wooden fence next to the building, flinging himself up and over it. This was a game he would play when he was little, navigating through town by unusual paths as quickly as he could. He didn't want to be seen coming from Millr's. He didn't necessarily think anybody was following him, who would really. But it was fun, he could move across obstacles faster than he ever had, he was bigger and stronger, the patterns he'd performed a thousand times came naturally. Up, over, under, across. It made him feel alive.

He emerged, sweating, onto the street near the center of town. It was almost noon and the sun was hot. Weeds coming up through the cracks in the pavement carpeted the lesser traveled areas in lush green. A few trees had grown up through the rusty skeletons of dumped, broken cars. Since the surrender they weren't allowed to build any new machines so year by year there were more that couldn't be repaired. Always more car husks.

He felt the slight weight of the blank ReeLs in his bag. He would deliver them today, after he had lunch. He walked towards the diner, he walked down main street because there was no traffic. There was rarely traffic anywhere. Sometimes trucks. Although in the distance he saw a bicycle. Was that Jynes? Looked it. Men withered in the noon day sun, old Jynes was still hale and hearty though. Some curmudgeonly secret of longevity.

The door of the diner clanged loudly behind Willm. He went to the counter and sat down. The owner, a gruff middle-aged woman with tattoos covering both arms, gave him a customary, muted greeting then asked what he wanted.

"Got any ham yet?" he asked.

"No, no ham. Chicken. Just chicken," she said.

"It was pigeon last time," he said.

She shrugged.

Muscle can eat muscle. The second Shrub law.

"OK," he said. He was ravenous. Pigeon was fine.

As he ate he kept the strap of the bag across his arm, protecting the blanks. Of course nobody knew what was in his bag, or that Willm even dealt in ReeLs, but if he was careless, he thought, he could fuck up a nice business. Like Millr kept telling, once they were gone, they were gone for good. He ate his sandwich bite by bite, it wasn't great, it was tough and had an aftertaste. French fries though, he savored them. Even with the Shrubs there was still plenty they could grow, although not enough for all the animals they used to keep and slaughter.

You must never eat from our fields. The first Shrub law.

He finished up, clearing the plate of every crumb and believing he could eat another sandwich. He paid. He was making decent money these days, he'd become used to the expense of the diner. Not like growing up, things were harder then. As he left the diner he looked over his shoulder. Who was there when he arrived and who was there when he left? The same cast of characters from town. He liked to keep track of these things. He liked to keep an eye out for change.

Being caught with blank ReeLs would be a mark against him. It was illegal to alter the slabs in any way. Only official provisional government programs could be put on them. You were supposed to bring them back to the local programming office where the new content could be imprinted. But of course there was the black market. It was too large for the government to battle, and most of the people in those offices watched illegal ReeLs off hours anyway.

He walked around the side of the diner to the back, past the garage, through the vacant lot, past the ancient gnarled tree. He started down the dirt road, fields on both sides of him. That's the way the Shrubs usually did it, cluster the undesignated fields around towns. Deep in though, far in, where the real industrial farming used to be, it was all worked by the Shrubs for themselves, for whatever they wanted to grow.

At the place where the fence looked collapsed, maybe from a car accident, Willm cut off the road and went into the field, jogging down off the shoulder, momentarily kicking up dry dirt behind himself. Even if there was traffic, they wouldn't see him. He was in a little ways and he could see the house from here. It was a brick house with wood trim once white, now rotting and abandoned. Some of the windows were intact, some weren't. He didn't know anything about who used to live there, he bet it was already abandoned before Surrender.

He avoided the front, with the leaning, cracked door and went around to the back. Wisps of torn screening dangled like flaps of skin on a sagging porch that must've once contained the usual summer activities. The porch was missing its door, and the house door was hanging open on one hinge. Willm wondered how many animals must come through the place. Maybe people did too, like himself, but they didn't stay. There was no shortage of housing. The green-skins said everybody was better off under the Shrubs, he wondered if that was true.

Willm walked through the hall to the front stairs. He heard a voice from the second floor. "I'm up here." It was Thmpsun, he was the blanks dealer.

Willm went to the top of the stairs, avoiding several treacherous gaps and saw Thmpsun in a large room to his left, the copious dust illuminated by the sun.

"Probably used to be pretty nice here. Big house," Thmpsun said.

You had to be a slightly weird to deal in blanks, Willm thought. Thmpsun dressed the same way people used to dress, his suit though had deteriorated over time, becoming a haunted kind of shabby. There was an uneasy ghostliness about him. Willm wondered if this is what Thmpsun was wearing on the day of surrender—time had stopped in his head, he was still a younger man.

"I used to do real estate," Thmpsun said.

"Yeah, you told me that before," Willm said.

"But you have to keep on top of new opportunities," Thmpsun added.


"How many blanks do you have for me today?" Thmpsun asked.

"Two," Willm said.

"That's all?" Thmpsun sighed. "Seems like there are less in the supply these days."

"Maybe you should go back into real estate," Willm said.

Thmpsun ignored the comment, it had never been said. Willm took the two slabs out of his bag as Thmpsun futilely tried to get dirt off the lapel of his jacket.

"Thank you," Thmpsun said, taking the blanks from Willm and putting them into a large, fat, worn leather satchel. "I can give you one for both this time," he said.

"But aren't there less? You just said there are less now," Willm said.

"Ebb and flow. There are probably more ReeLs in production right now. One for both this time, more next time."

Willm frowned tightly, letting the moment of uncomfortable silence linger as evidence of his displeasure.

"Alright," Willm said.

When the exchange was complete Willm walked out into the weedy, overgrown back yard, past remnants of a metal swing set, a collapsed shed, back through the fields. Next week he would pick up new ReeLs from production, the good ones, the crazy ones.

2018-12-22 23:01 fiction flash-fiction science-fiction


— The wind at the door, she said.

— Oh? he asked.

— Howling, she said.

— Angry? he said.

— Insistent, she replied.

As the building shook they feared for their lives. Like last night. Like the week before. They survived each attempt. And the wind tonight tried very hard, blasting itself against their bricks, inundating every corner, until it was a whistling roar, a ghostly edifice that would erode even stone over time. The tense wires connecting them to the outside world were stressed then broken, adrift on the torrent, philosophical sails fluttering until they were torn asunder.

— We may need to reconsider, she said, the bulwarks and doors, the lintels, the sacred seals.

— We knew this might happen when we built inside the ancient skull, the wind collects inside, this head is a cavern and while we're protected from the rains and the radiation the winds might do us in, he said.

— But where else would we go? To the thorax? To the indelible cistern? To the tree people? Do you know what it's like living in the trees?

Once again, he thought, I have to hear about living in the trees and how awful it was, and how her aunt died out on a limb.

But the wind was fierce and they had to shout above it.

— If you listen carefully, he said.

— What? she said.

— If you listen carefully, he yelled.

— You what? she yelled.

— If you listen carefully, he yelled, you can hear the great thoughts of the ancient empty head roaring back and forth.

— That's stupid, she yelled.

2018-12-15 10:00 fiction reel

ReeL Fresh

Willm took out two, thick, gray slabs from the old military bag slung over his shoulder. The slabs were identical in size, but each had a messy strip of off-white tape along the edge with varying handwriting in black magic marker.

"Two? That's it?" Millr said.

"Yeah," Willm said, "but they're fresh. Good. Special."

Willm, a lanky teen, held out the gray slabs with arms delineated by prominent tendons. He was covered with scratches from recent salvaging.

"Like those other ones? People complained about those," Millr said.

"No, really. New crew, new production. Very slick." Willm handed Millr the slabs.

"OK, let's see what these ReeLs have got." Millr took one and turned it sideways, he pressed with his thumbs on both ends of the colorless slab. Then he put it down on the rough, cluttered work bench in front of himself. A light inside the slab flickered, irregularly, but grew so that the entire surface glowed.

Millr stared for a few minutes, motionless, rarely blinking, looking at the ReeL playing somewhere in his head, the light from it illuminating his face. Then he placed his thumbs again on the corners, repeating the movement, until the light dimmed and disappeared.

"Yeah, it's good. Different," Millr said. "I think people probably want something different these days, whether they know it or not."

"Did you get to the part about the Shrubs?" Willm asked.

"Yes, I mean, Shrubs don't care if we make fun of them. Shrubs don't care about anything except growing," Millr said. "Was good though. I'll give you one and half each for them."

"No way, two each," Willm replied strongly.

"Come on. I'm not doing this for free. Look, you keep getting these, good ones, and they build up an audience, then I'll raise my prices and I'll give you two," Millr said.

"Alright," Willm said after a pause. He folded his arms resolutely. "But next time, two." He tried scowling but it was clear he liked the offer.

"If there's an audience." Millr took the two ReeLs and put them into a large felt pouch clearly designed for this purpose. "Also, and I've said it before, you gotta be careful with these—if you break any that's less we have in the pool. The Shrubs won't let us make anymore." Millr reached over to the side of the bench for another bag, opening it, and from a selection of seemingly identical slabs took out two and handed them to Willm. "Here's the blanks," he said.

Willm took them, mocking delicacy.

"Arsehole," Millr said, "you don't remember what it was like before Surrender."

Willm rolled his eyes. "I remember," he said.

"What? How old were you?" Millr asked.

"Five, six. I don't know," Willm said.

Millr grunted. "Things are going to fall apart. Someday soon. Won't be able to fix everything anymore. No more machines. No more ReeLs."

"That why you collect on the side?" Willm said.

"Damn straight," Millr asserted.

"I don't think the Shrubs will be here that long."

"Oh, here we go," Millr shook his head.

"Think about it. Why'd they come here in the first place?" Willm asked.

"I dunno. To grow. Cuz they couldn't grow where they were before. Nobody knows. It doesn't matter much at this point."

"Maybe they're gonna grow enough here to keep going, maybe they've got a home to go back to. Maybe they're gonna, like, flower. And then they won't be Shrubs anymore. They'll be something else," Willm said excitedly.

Millr laughed a little, "You're talking crazy."

Willm appeared offended, roughly readjusting his shoulder bag with the blanks inside. "You'll see, not always gonna be like this." Willm went to the stairs, huffing.

Millr shouted after him as he left, "Just keep getting good ReeLs."

2018-12-12 01:08 fiction flash-fiction


They sat around the table, smoking hand-rolled cigarettes, ashes piled up in several tea cups and plates, arguing about who came first.

I was, he said, I am certain of it, I was borned, the same way people have always been borned.

No, the next one said, it was me, I know this is true, I have proof.

There was laughter.

Show me your proof, the other one said.

He raised his shirt, showing off a belly button full of lint. The other two, successively, lifted their shirts, showing their navels as well. They were identical in every respect despite the variety of lint.

This proves nothing, he said, we each have navels, they could've engineered the navels, don't you think?

The other one shrugged.

What do you know, the next one said.

I know everything you know, and more, the other said.

Shut up, he said, we've been through all of this before.

What if there are more, the other one said.

So what? Millions, there could be millions, the next one said.

But if there are millions, I am the one borned, he said. He lifted his shirt and showed his navel.

2018-12-06 20:40 photography fiction flash-fiction


I believe photographs steal your soul. I slink between CCTV cameras. Every foray into the outside world is a terrifying excursion. I could suddenly be caught in the background of some ubiquitous selfies. I could be captured behind an ATM transaction. I could be doomed to limbo from the tinted window of a passing bus of tourists, patrolling the capitalist battle zone. A single slip and my immortal essence would be ripped from me, uploaded to Instagram or lost in some surveillance database, perhaps exchanged for a ruble in some future data breach. I can't claim to understand the contemporary obsession to record everything, from minutiae to tragedy, from salacious to the mundane, every wink, every faked smile, every greasy meal.

It has seemed clear to me, for quite some time, that what was said in the past, when photography was new, that the capturing of the human image so easily, so mechanically, so absently, is dangerous. To agree you don't need to believe in the metaphysical soul as I do.

I plan my routes carefully. I have considered a disguise, but rejected it as a trick of surfaces. It would be me. I would still be stolen.

One day I saw her, dodging the CCTV, weaving in and out of the camera coverage bubbles with a deft guile that was exhilarating. I saw her adjust then adapt with the abrupt intersection of young revelers, phones in hand, arms permanently thrust out like the stalk of a blind, hungry plant. She weaved into the penumbra, hiding in an invisible shard. I knew the only viable location closest to her was the old camera shop.

Wait, a camera shop? Yes, one of the safe places was an outdated camera shop — the aged owner didn't have video monitors. He sold long since discontinued film cameras and used to do processing. The place was out of the way and nobody went in there anymore. Someone from his generation wouldn't just take a stranger's picture without asking, that would be incredibly rude.

This is where she would go, I suspected.

I was right. She must've known too. She must've had the same surreptitious map. After she entered the shop, waiting for the inebriated selfies to pass, I carefully made my way over. When I entered she looked at me, sharply. It's you, she said. It's me, I replied. You avoid them too, I've seen you, she said. Yes, I said.

We began to meet at the camera shop regularly. The owner sat at the back, quietly. We would pretend to look at cameras, the owner would pretend that we wanted to buy something.

One day she asked, what if we stole each others souls? What do you mean, I said. With this old Polaroid, what if I took a photo of you and you took a photo of me, she said. Would you promise to keep my soul safe? I said. Yes, I promise, she said. And you promise to keep mine safe forever too? she asked. Yes, I said.

We paid the owner for the Polaroid and he gave us his last pack of film.

2018-11-27 10:00 fiction cyclopaedia

Cyclopaedia Chapter Twenty-Eight: Cliffs Of Forever

The man standing between Hedvin and the village seemed to be expecting him. The man was wearing a bird mask. Hedvin had spent an extra week in the woods, lost. He was cold, thin, half starved. He had trouble thinking. The clarity of thought that he started the journey with was now gone, expended through cold nights and exhausted supplies. This man must be expecting him, why else would he be standing there on the path between the forest and the village? Behind the mask he could barely see a set of eyes.

Fox, the man said.

He held the fox mask in his hands, upended, like a bowl. Hedvin noticed it now. Hedvin stepped closer. He could see the fox mask was filled with Vermilion. He didn't know how long it was since he dosed. There were a few awkward attempts on the trail, but with the bad weather and his exhaustion he wasn't sure how successfully. He saw the mask handed to him and the yearning for it was viciously palpable.

But what did the man want? Hedvin hesitated. Did it matter who he was, it probably didn't matter who he was. He was Bird. He remembered now the strange mythical consumption of the village, this is how they behave. They dosed constantly. They were out of their heads. They lived inside this construction, this story, where everyone took shape as visible representations.

It will rejuvenate me, he thought, after being on the trail. It didn't matter who this person was. Was he from the village? He was tall. Was he familiar? No, it was Bird, that must be why. Bird gestured again for him to take the fox mask. Hedvin stepped forward and took the mask from him. He felt a blooming anxiety he couldn't understand, but then he'd wandered in the cold for a long time, days? He remembered trying to gather food, miserable berries and terrible tasting leaves. He'd been sick. Water wasn't a problem, there were plenty of streams and springs. But the cold tore him down—it was becoming winter and the nights were terrible. He wanted a fire and he wanted something to eat. The Vermilion would help, he thought.

Hedvin took the mask and placed it front of his face. Bird grabbed his head and the mask, pressing them together hard, then momentarily lifted his own mask to blow into it, forcefully. A large amount of Vermilion was made into a thick red cloud. Hedvin breathed in. When the dust settled Hedvin lowered the mask. He considered the face he'd seen briefly of the man known as Bird. A man from the city, definitely, he wasn't a villager.

Who are you? Hedvin asked. His head swam, he wondered about his own physical weakness and about the strength of the dose he was given.

Bird, the man said.

Did Hedvin know him? Hedvin wondered. The effects were coming on fast, much heavier than he expected. Maybe this batch was very fresh. He smacked his lips and he could taste the grubs. Very fresh.

What's your name, I mean, what's your person name? Hedvin asked.

Eirik, the man said. Hedvin didn't recognize it. Wait, no, he did recognize it. He knew who this was.

You're a Compiler? Hedvin said.

Follow me, Bird said.

Hedvin couldn't claim to know every Compiler, there were too many. But he was certain this man was one of them. Not by name, the name was common enough. It was the movement, the subtle qualities of physiognomy, the features of the face he momentarily saw, a face that had been preoccupied by the structure of the world, and had gained that distinctness. As for the name, he recalled a Compiler named Eirik noted for remote expeditions. He was a Compiler and he'd found the village, and he knew about Vermilion. How long had he been taking it?

Ah, it's too late, he realized. It doesn't matter anymore. How big was that dose? The man, Bird, Compiler Eirik, walked ahead of him down the forking path, away from the village. Not towards the woods Hedvin had emerged from, but upwards. Hedvin held the fox mask in his hands, it was light, like it was made of the visions of green leaves and the sound of rabbits. Bird flew. He had trouble keeping up. The path zigzagged around outcrops of rock, trees becoming sparse. Hedvin was worn out. He begged Bird to wait, while he caught his breath. Bird waited motionless while Hedvin sat, breathing hard, staring at the mask in his hands.

How long have you been here? How long have you been taking it? Hedvin asked.

Bird said nothing.

Where are we going? Hedvin asked.

We need to get there before dark, there isn't much time, Bird said.

Hedvin stood, following Bird. This was wrong, he thought, I need food and warmth I need to be wrapped up comfortably. Instead of the rush he'd expected from his dose he felt the reverse, as if everything was being sucked out of him. Decoherence. Instead of the expected congealing of concepts, he was being dragged along a rocky bottom, a wilderness path by a man wearing a bird mask. He felt powerless to stop it. Regret prickled. How had he ended up here? He asked to stop again. The ground felt moist and soft, as if he could sink into it, as if he would sink down into the center of the world. And what was the world made of if not the same malleable substance, the same temporary fluids he was made from. He was scared of dissolving.

You gave me an overdose, didn't you. Hedvin said.

It's important we keep moving.

Where are we going?

You'll see. It's important.

I want to go to the village.

Not yet. Afterwards. Come on, let's go.

Hedvin didn't know why he followed Bird. There was a logic to it, although no logic really was necessary. There was a rightness to it, although right and wrong were temporary conditions. He was losing himself. He held up the fox mask and looked through it, through the holes that were eyes. He reached behind it and pulled the leather strap around, securing it. His thoughts and worries faded into movement, on the path, trying to catch Bird, the trees thining as they climbed higher, the rocky terrain a game. He could go like this forever, he thought, until he collapsed maybe.

They came to a plateau, wide, relatively barren, covered in short, tough grass. He had never been here before. It smelled like dirt, and there were strong winds nearby. Bird seemed to know where he was going. It would be dark soon, he could feel this in his gut, a tugging sensation, to get close to the ground, to be in the safety of the trees, to watch out for things above in the sky, to be warm.

He wanted water, he was panting, he was so thirsty and there was a terrible taste in his mouth. Like decay. Like carrion.

Water, Fox said.

Soon, said bird, a little longer.

Bird moved lightly. They ascended again, then the world in front of them dropped off with a sudden descent. They were on the edge of a cliff. He could see the valley below, mountains in the distance. The cliff stretched far in both directions. The fading light of day caught along the mountains, streaming rays across the edges, but the valley was already dark.

Fox backed away, the proximity to the chasm was uncomfortable. Bird, though, hovered.

Come here, you can see them just starting to light up, Bird said. He turned and was looking down, over the edge of the cliff.

Fox moved forward, hesitatingly, looking outwards then looking down where he saw faint points of light. The points were birds, whose crests glowed, growing stronger as the light of the day faded. He waited—knowing that the birds too understood the end of the day, becoming excited, each point contributing to a cloud of light that ebbed and swelled. And the longer he looked the more sure he was that the birds knew Fox and Bird were there, near them.

They know we're here, Fox said to Bird.

Bird said nothing. The daylight was gone. Fox could still see, in an impression, the white edges of Bird's mask, the short sharp beak, the prominent delineation of color. Behind this he saw the dim glow of the birds as they swirled above the valley. They flew, they reached up. The pattern was familiar to Fox, he tried to place it—as a sequence, a natural relay, like the blinking lights on that mechanical console, indicating a cognition that was made of a million parts. It was a scattered realization. The sensation was fleeting.

Do you see? Bird said.

The cloud of birds had risen up in front of them. They pulsated. It was obvious what they were saying. This is us, they said.

Yes, Fox replied.

The cloud of birds rose, flying up above them, then slowly sinking back downwards, closer to them. Fox could see individuals now, their eyes and beaks, the movement of wings and their efforts. And they became closer still, he felt the wind from their feathers, he felt the air of their breath. Then around him, their claws were clutching his jacket. Tugging. The lights from their crests illuminated him. He was flying. He could see Bird standing there, under him. And then he could see the valley below.

2018-11-21 10:00 fiction cyclopaedia

Cyclopaedia Chapter Twenty-Seven: Final Report


We have completed our investigation and present this report as a summary of events and conclusions. We understand that further details and explanations may be necessary given the chaotic nature of this case, a supplementary timeline will also be provided.

Importantly, we are directly responsible for the explosion that took place on the 3rd—we ordered it. We understand the tremendous damage done to the research facility ends any viability of that structure. We understand what we've done has wide ranging impacts. However, in the interest of protecting its scientists and workers, as well as ceasing the peculiar Electric effects that have caused or contributed to outages in the city and its social consequences, we took action rather than hope some solution would eventually emerge from outside agencies.

We have concluded that the disappearances, and certainly demise, of four individuals, Ove Eng, Jon Orten, Pietr Koss, and Eero Ringen (Director of the facility) were caused by the mechanism known as the "Master Compiler".

After being present for the sudden, unexplainable disappearance of Pietr Koss, a laboratory worker and last remaining technical member of the project, we had the premises evacuated.

We promptly wired the engineering office at the Ministry Of Internals as well as the Ministry Of Statistics under whose aegis the facility was commissioned. Several representatives from each were promptly sent to the Division. We explained what we knew and what we experienced as best as we could with as much technical detail as we understood. There was considerable skepticism, particularly since none of them knew of the existence of the specific project known as the "Master Compiler".

We also wired representatives of the Cyclopaedia, for whom the project was initiated, informing them that the project was hereby terminated in the name of public safety.

We understand this equivocal declaration would cause turmoil. But, by the time all the parties involved, official and unofficial, knew of our orders, we were determined to have destroyed the mechanism.

It should be noted here that the original representative for the Cyclopaedia, a Compiler Hedvin, abruptly left the city shortly before we issued an order for his arrest in connection with the disappearances, and for involvement in the distribution of an unknown drug. Yesterday a search of his apartment revealed the contents of his Compiler's kit—wherever his destination, he had no intention of working. While it is common for Compilers to be sent on assignments, due to other pieces of information we believe the location is related to illicit drug trade. There is no reasonable means for us to apprehend him while he is in his currently remote, unknown location. But we advise, and request to be given a new case, relating to this substance known as "Vermilion". Once Compiler Hedvin returns, assuming he returns, he should be immediately taken into custody, and presumably the drug he is transporting should be seized and analyzed.

We are unaware of any formal recognition in this matter from the Cyclopaedia, however we believe that, unofficially, Compiler Hedvin's actions have been sanctioned by several parties.

We brought the engineers and scientists we consulted with to the laboratory. We were still concerned that the mechanism would, or could, compile other subjects. But our supposition, which we expressed to the technical team, was that previously only those directly connected to the project had been in danger. Among Ove's papers we found evidence, in the form of a kind of formula, an antique indexing notation of the Cyclopaedia, that he was using himself as a compiling sample. He was training the Master Compiler to categorize and contain himself. We do not know how literally his intent was, since he created the passive Electric power source, we feel he was aware of the danger. Also, there appears to have been incentive provided by Compiler Hedvin's supply of drug as well as a radicalization process through Compiler Hedvin's philosophy and influence that a disparate set of data fed to the Cyclopaedia would later poison, or alter, the political and ideological direction of the institution. We believe that, for all intents and purposes, the mechanism contains a copy of Ove Eng.

While we didn't find examples for the other three victims, we concluded that their proximity to the mechanism, to Ove Eng, and to the programmatic aspect of the device subjected them to the same effects. Since no bodies were found, and since we witnessed the compiling of Pietr Koss this conclusion seems inescapable. We do not fully comprehend what criteria the Master Compiler would have used to target these individuals, and given that all expertise on the workings of the mechanism no longer exist, we believe personal proximity, or what the scientists called "contextual proximity", was the primary factor.

Our suspicions about the mechanism being related to the Electric outages were quickly confirmed by the engineers. Strong opinions were expressed. But the consensus was that the machine needed to be discontinued. Given our initial attempt to turn the device off, and subsequently the disappearance of Pietr Koss, we decided we would disable the machine from the bottom of the well by force. Since we did not, and do not, understand precisely how the independent Electric system works for the device, the engineers concluded that they would bluntly, physically cut all wiring and cabling as close to the surface of the machine as possible.

Much like dangerous work in a mine, a series of engineers stood arms length apart and always within sight of each other. Observers were placed at the top of the well with ropes and mirrors designed to work in treacherous shafts. While there was some concern about the risk of Electric discharge, the engineers volunteering for the work had ample experience with difficult Electric situations. We felt confident.

The mechanism would then be totally isolated, without connection to any outside Electric, or any unknown Electric device, and the consoles on the laboratory floor. This should contain any issues related to outages, we believed. Once everyone was in place, we gave the order to cut everything off.

When the lines were cut away there was a cessation of activity. Then, as we witnessed previously, operations began again—this time without any obvious output at the consoles since they'd been disconnected—but the apparatus was in operation. The engineers were baffled. This unusual Electric source, they said, must be part of the column, the three story tall mechanical installation itself. They explained a kind of ambient field surrounded it, energized by activity of any sort. The more of us there were, and the harder we worked, the more strongly it would react.

It was then we ordered the device to be destroyed by any means necessary. There was strenuous disagreement on this point. Several of the scientists argued that the technological loss would be too great. The engineers involved with Electric for the Capital felt that destruction was absolutely necessary, given the changes of another catastrophic outage. It was likely, they suggested, that the Master Compiler was passively consuming Electric remotely, from the Capital itself.

This was confirmed soon after by a messenger from the city who we'd instructed to tell us if any outage occurred, since we could not independently or reliably determine that from our location. An outage did begin about the same time we tried to disable the machine. Arguments were then made for ways and means of destruction. Placing explosives on the mechanism directly was an obvious thought, one we proposed, which produced a howl of disapproval. If the explosion wasn't strong enough, who knows how the passive Electric would react, perhaps consuming all of the energy. Since there was no clear understanding or agreement about how much explosive power would be needed to destroy the device, another proposal was made—to bury it.

But for this to be effective, the engineers and scientists agreed, there had to be a layer of shielding. A dense, heavy metal. Since the mechanism was already situated in a tall metal-lined well by design, they decided that filling the well with a mix of rock and metal filings would suffice as long as the top, exposed, area of the machine were covered completely with thick metal plates. Then it was suggested that the lab around the mechanism be imploded in place, to increase the dampening effect and to make sure these actions could not be easily reversed. Preparations were made with great urgency.

Meanwhile, with the knowledge they'd gained at the laboratory, the engineers made adjustments to the Electric in the Capital. They were able to rotate the outage, enabling power in one neighborhood, disabling it in another, in schedules, thereby avoiding a period of social upheaval similar to the one previously experienced.

The walls and roof of the laboratory were set with explosives after the well had been filled in and covered with shielding. Reports said the blast could be seen from the city. The collapse of the building was complete, resulting in a pile of rubble that buried the device.

Given that we believe, and were advised, the situation was dangerous for both individuals nearby, and the condition of the Capital, we proceeded with a measure of necessary autonomy and secrecy. Our apprehension that involvement by external agencies would cause indefinite delay is not unfounded. The conclusion of any investigation gives Inspectors the prerogative to pursue judgment we determine appropriate, knowing fully that these actions may cause the displeasure of other agencies. We understand this may effect our standing in the Division, but we maintain that our duties were clear and irrevocable.


2018-11-18 15:56 fiction flash-fiction


I tried, but I keep returning. The first time I threw myself under a bus. It had been a tedious day, I recall, every casual comment was a stab to the soul, every cold glance a territorial insult. I do not consider myself so sensitive, but sometimes retreat is appropriate.

No, this is incorrect. The first time was very long ago. I sat on a stone wall. I watched a wagon full of hay, its wheels churning with loud frustration through muddy village roads. The eyes of the horses were perfect exclamations of an imprisoned struggle, a slavery to conditions. It affected me deeply. I tied a mill stone to myself and walked into the lake.

Was that the first time? No, I don't think it was. However, it doesn't matter. I keep coming back. The process is opaque to me. I approach it with varying degrees of either desperation or creeping resignation. Sometimes I will go an entire lifetime, relaxed, conjoined with the temporary purposes and desires of a human life, and then a sudden, brutal succession of violent demises — as if I were declaring to whatever cruel master keeps us bound to this existential wheel, that I will not be quiet, that I will not accept these circumstances. With a rope. With a knife. With a gun. I know these expressions are relatively obscene. But what is obscenity in the face of an eternal process? It is screaming up at a sky full of stars, imaging resurrection upon each new world, the same profane rules across the entire swath, like a universal tyrant.

I once constructed a large, steam powered machine that dissected my physicality, cataloging each humor and duct, every gland and synapse, vaporizing as it proceeded until I was nothing but a measurable series of operations. And still, I came back.

For every clever method there was another equally, spitefully primitive. Some public, some private. There were periods of attraction to basic elements, Earth, Wind, Fire. Although in that age I was preoccupied with the alchemical principles that I believed anchored my curse. I spent an inordinate amount of time wondering how and why I occupy this position. I wondered how long it would continue. I wondered if any variation were possible. Then, realizing the futility of this woolgathering, I stopped thinking about it entirely for several lifetimes, amazed and disappointed with every return.

My current fascination is this digital era. I began to think that I needed to collect more data, since data is the spiritual currency, that if I record every action, every lifetime, and certainly every demise, I might detect through careful analysis a meaningful pattern. It will take a while, but then I have plenty of time. I am convinced the scientific method is the answer, no more of that archaic mumbo-jumbo. Gone are the literally fuming cucurbit and retort. It's me, I am nothing more than an experiment.

Today I go to that candy factory in the industrial zone. The security is lax. The equipment they use to pull, twist, knead and roll the mountains of candy, I hear, is powerful and deadly.

2018-11-16 16:20 fiction flash-fiction

Town Below

After they'd gone below they wondered how long they might stay there. One generation or two? More? Everything above would've been taken care of by then, surely. People would have to fix things. It would take time, obviously. But there was no choice, one way or another. Do or die, really. Until then the town would continue as it always had. But deeper below. There would be artificial light that mimicked the sun. The town square, on a summer's day would still be green and grassy, children playing around the bandstand, the town elders sitting in lawn chairs, a couple barbecuing, dogs chasing one another.

Their last meeting in the town hall was bittersweet. But the new town hall, directly beneath them a few hundred meters, had been reproduced exactly. Even the flaws were recreated, like the cracked baluster. And they knew, the next morning, they would all be gone from the surface of the Earth. There would be no announcement, nothing official. Shops would be closed.

Initially they were anxious that others would worry about them — the neighboring town for instance. What would they think when they drove through tomorrow and there was nothing but silence? What would their dark, abandoned town at night, devoid of lights in the windows, mean to those passing through? A warning perhaps. A statement. Better that the town be burned to the ground, as if struck by some uncontrollable wild fire, several citizens suggested. No, the mayor responded, we have abandoned the surface, the silence should be worrisome, it should be portentous, it should make them stop and wonder 'What have I done to cause this? What have I done wrong?'

And so, early in the morning, they lined up with their suitcases in front of the old barber shop. In the back, past the big, swiveling chairs, and the rarely painted wall covered with photos taken over a hundred years, the cramped wooden staircase led down to a heavy, modern door secured with huge metal bolts. One by one they went through this door, until the last of them, the mayor, entered and sealed it behind himself with a resounding clang.

2018-11-12 21:27 fiction flash-fiction science-fiction

Across The Field

When the boy got to the edge of the field he could see the outlines of the power stalks against dusk, and the thousands of small green lights spread out far in front of him, cast like a net. An evening breeze made them moan slightly, as the fibrous tension adjusted their sway to maximize the kinetics.

He wasn't supposed to be in the field. If he got caught it would cost him six months social credit, he should care more about his credit, they said.

He stepped down off the road, stumbling over an exposed root. The nearest stalk reacted slightly to the energy, sending a wave of micro-movements rippling across the field, and creating a delicate sound of descending frequency like water drops from a shut faucet. Once he was far enough in, the loose canopy would hide him from the road.

On the other side of the field was the quarry, and he knew there was a hole in the fence because this wasn't the first time he'd done this. As it became darker he turned on his headlamp, the dim red beam delineating the gently swaying stalks around him. It reminded him of the new Reel. He guessed it was easier for them to make it like that, only build as much environment as you could see in low light. Sometimes he wondered if reality was like this too.

He came to the fence suddenly, it rose out of the darkness, startling him. He would have to navigate along the edge of it until he found the hole. Left or right? He guessed left, knowing he might have to backtrack. By now Bug would be waiting for him on the other side, in the quarry. Everyone had always called him Bug because of the ocular slots, some kind of genetic condition. Bug was a few years older than himself. Bug had bought the last few Reels from him. He'd promised to buy more, and this one was good, something special. He'd continue in this direction another minute or two. When he didn't find the hole in the fence he swore and then turned around.

That's when he saw lights from the direction of the quarry. A dozen of them? White lights moving quickly. He abruptly turned off his headlamp. He heard shouting. Bug was shouting, he believed. So, they'd gotten him.

He didn't know what to do, maybe running was a bad idea, they must have ways of seeing. He didn't move. But then he heard their little feet. He imagined them springing forward awkwardly like birds running. He had to move — he turned and bolted back into the field. Without the headlamp he careened into stalks. The impacts caused the whole array to shudder, echoing outwards across the field with enthusiastic clanging. From the road the net of indicator light must be undulating now, he thought.

He ran several more yards, bumped into another oscillating stalk, then paused, listening. He didn't hear anything other than stalks happy with energy. Maybe it was good he'd done this, he wondered, there wasn't much chance they'd find him now under this loud canopy, no matter how well they could see. He just had to make it over the road. The other side of the road was another zone, he knew, maybe they can't even follow me in there. He grabbed the nearest stalk and shook it as hard as he could for a moment. Then he ran straight as hard as he could.

2018-11-08 19:06 fiction flash-fiction

Everything That Will Happen

The bottle was thrown overboard with apparent disregard. It may never be seen. It may never wash up. It could be swallowed by some leviathan. It could be smashed on the rocks. What was the message in the bottle? she asked. Everything that will happen, he said. What? Everything? she asked. Enough anyway, he said. That's a lot to fit on one piece of paper, she said. They could still see the top of the bottle intermittently as short, angry waves dodged back and forth, the bottle spinning in distress. But who will rescue us, the rescuers? she asked. Perhaps the bottle will float out into space, he said. Perhaps they will be sympathetic, he added. In three days the ship would arrive and they had no idea what they would find, the outpost was remote. For a while it looked like the bottle followed them. The wind chewed into their exposed faces as they watched it. The horizon was nothing but a gray line, unvariegated clouds filling the firmament. Then the bottle became more distant, turning its attentions to the curve of the Earth, to somewhere that might lay beyond this damp gray sky. Well there it goes, she said. There was nothing left to look at except the seascape, bubbling with a kind of natural eternity that both knew could easily become sorrow if you thought about it too hard. Coffee? he asked. Coffee, she said.

2018-11-05 21:11 fiction flash-fiction

Mr Black

She believed at night that Mr Black crawled inside the bag. There was no other explanation.

She'd rented her rooms to lots of people over the years, so she'd seen some things. Nobody ever said boarding houses attracted the best and the brightest. When she inherited the house taking on boarders was an obvious way to make ends meet. And it wasn't all bad, she'd made some good friends, some were like family.

Everyone would sit after dinner around the radio, Mr Black too, listening to a show or Eisenhower or music or whatever. Mr Black always seemed to laugh at the wrong time, as if he was listening to something else entirely. That didn't bother her much though, she'd had some real oddballs in the house before. There had been one woman who began shrieking whenever there was an advertisement for Lucky Strike cigarettes, then would run to her room, sobbing. There was a man who brought his own plate and utensils down from his room every night for supper, and bring them right back immediately afterwards. She never understood how he got them so clean up there. So the irregular bit of laughter wasn't awful. And Mr Black wasn't a bad sort actually, maybe some of the other boarders thought he was aloof, so what. He'd been quiet but generally polite.

But then there was that night with the phone call. It was maybe an hour after radio time. The main phone rang. The one the boarders used, in the hallway. Usually she didn't bother with the phone so late. If it was important they could call back tomorrow. Civilized people didn't ring so late anyway. But she was down there, tidying, so she picked it up. The voice on the other end asked for Mr Black. It was a terrible voice, she thought, a woman's voice she supposed, but raspy. Strained. And there was a far away quality to it. In danger? She couldn't place the uneasiness of it. She told the woman she would get him, and who may I say is calling? She asked. "Mrs Black," the woman said. Oh my, she thought. When I agreed to rent the room I asked Mr Black if he was married and he said no. And he wore no wedding ring. She told the woman to hold on, she would get him. Normally she didn't disturb tenants this late, but she'd make an exception. They must be divorced, she thought.

At the top of the stairs she knocked on the door to Mr Black's room. Silence. No answer. She kept track of who came and went. After listening to the radio Mr Black did go up to his room. He didn't leave the house. She would know this. She always knew who was in or out. She knocked again, believing that, since it was Mrs Black, it could be urgent or an emergency. If he were asleep she would have to wake him. Before she opened the door she knocked again and told him that Mrs Black was on the phone and that it might be important given the way Mrs Black sounds. Then she turned the doorknob, the room was unlocked, and she opened it enough to put her head inside.

There was no one in the room. The light was on. The room was clean. There was nothing of Mr Black's to be seen except the bag she remembered him bringing, a large kind of gym bag or carryall, very plain looking. But it was now full, very full, almost bursting. It horrified her. Did it move? As if something inside it was shifting its weight? The rough cloth rippled, expanding and contracting slightly. Revulsion paralyzed her momentarily, then she pulled her head back into the hallway and slammed the door shut.

She rushed back downstairs. She waited just inside the kitchen, listening. A moment later she heard footsteps coming down the stairs. She heard the phone handset being picked up off the shelf where she'd left it, and Mr Black's voice, giving a series of responses. Yes, No, No, I don't know. And so on. Then the phone was hung up and she heard him go back upstairs.

She wondered what to do. She was perfectly in her rights to ask him to leave. It was just too strange. But how could she even face him now? What would she say?

She tried to sleep that night but, not surprisingly, she had disquieting dreams. In the morning she had a sense of vague anxiety, as if the things around her contained hidden intentions. What was once familiar and comfortable was now threatening. The next day she avoided him, until dinner, which was inevitable. Mr Black acted no differently. He made no surreptitious glances, he let on to nothing, he was his usual self in every way. And then the time in the living room in front of the radio, she watched him, as closely as she could without being obvious, and his behavior hadn't changed. She was relieved when he said goodnight and went up to his room.

And she waited. She waited at the edge of the kitchen, prepared to have an excuse if she were caught waiting. Would Mrs Black call again? How long would she wait? She felt an rising degree of resolve building in herself.

Then the phone rang. She answered it, it was Mrs Black again, asking for Mr Black. Mrs Black sounded the same. Hoarse voice, far way, as if something was between her and the phone. Again she told Mrs Black she would get Mr Black.

At the top of the stairs she knocked several times on his door. There was no answer. This time she opened the door and walked in. She'd given him plenty of warning, she said to herself. The room was the same as the previous night, empty except for the bag. She stared at it. Was it somehow different than last night? She was frozen in place, but something unknown motivated her, she had to know what was in it.

She stepped forward, to the side of the bag. The pull on the zipper was a large flat piece of brass. With two fingers she grabbed it tentatively. She pulled steadily, the zipper smoothly opening. Her heart pounded. What was that, was it feathers?

2018-11-01 21:58 fiction flash-fiction

Rain Stones

Always rain, always wet. Damp to the bone. Mildew along the edges. Worms cover the ground gasping for breath. Half drowned birds shake their feathers with miserable frequency. Pools of water are alive, choked full of creatures waiting to hatch. Always rain. At night it pummels metal roofs, a staccato that promises leaks and drops, moisture then rot. The rest of the world is bone dry. Not a single cloud, not one rain storm. It's all drawn here, by the cloud catcher, a colossal henge that reaches up into the sky, built by a forgotten race, peoples that gathered these monolithic stones and somehow placed them together in accordance with ancient principles of the ground and air, magnetic secrets, powers of planetary alignments, and conjunctions of divination and sacrifice. To bring the clouds, to call the rain. But something changed. What once was magic to keep the fields fertile and free from drought, has radically overcompensated. Or perhaps this is punishment. Even, simply, spite. Always rain. The swirling clouds above us centered around that field and those stones, with a torrential downpour. While the rest of the world looks on with envy, we hunkered beneath impromptu shelters waiting for the rain to stop — but it hasn't, the rain comes down.