Jonas Mekas, ‘Godfather’ of American Avant-Garde Film, Is Dead at 96 - The New York Times
“I can’t understand why people prefer the grossness and banality of a Hollywood or a European Art movie, as against the illuminations and ecstasies of an Avant-garde Film,” Mr. Mekas wrote in an essay in The New York Times in 1969. “The Hollywood film deals with gross, simplified realities, banalized feelings, ideas, thoughts. The Avant-garde Film deals with the subtler nuances of experience, emotions, ideas, perceptions — it illuminates them — it deals with things that make you finer.
“I do not understand,” he continued, “by what logic the public, film critics and educators choose to spend thousands of hours of their lives with second-rate art, while at the same time making fun of the Avant-garde Film.”